Unesco_Blue Dot Illustrations

Blue Dot (July 2020 Issue) Changed Priorities Ahead: Designing for Online Learning Environments

In March 2020, educators collectively experienced the challenges of a rapid shift to distance learning (DL) at an unprecedented and global scale. The story thus considers the varied modes of distance and online learning.

It talks about Teachers and students having different levels of access to tools and technology and knowing how to use these tools purposefully to create meaningful learning experiences.

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Artist

  • Rahul Rai

Reimagining learning spaces in uncertain times

This Blue Dot issue aims to propose transformative alternatives to today’s education systems in terms of purpose, delivery, and content – alternatives that are more fully human and allow us not only to survive but to thrive, leading a life that makes sense and a difference in our interconnected, interdependent world, into an inherently unknowable future.

The Blue DOT: TECH 2019 Special Issues

THEME 1 :

Transformative Pedagogies for SEL (Social & Emotional Learning)

THEME II :

Reimagining Learning Spaces for Planetary Citizenship

THEME III

Data, Learning & Education: Role of AI

Please don't hesitate to reach out to us if you have any questions or if you're interested in commissioning a piece.

Ilustration for Royal Enfield(Playing Cards)

The main aim was to create playing card decks for Royal Enfield. The  concept revolved around the different dynasties and eras and the characters for each suite are further created.

Spades  is inspired from Rajput period, Clubs from Maratha, Hearts from Mughal and Diamonds from British. Each character is researched upon extensively in terms of the accessories. It was imperative to keep the illustrated style cohesive and still have variations in terms of the eras.

The design for the packaging was inspired from the vintage design of matchboxes from the 50′s. The packaging brings about a collaboration of all dynasties and how they come together as one unit.

Each illustration of the bike is taken into consideration in regard to the dynasty, the style , the kind of machinery involved. When the first Royal Enfield motorcycle rolled out in 1901, it was the beginning of an endearing story that would turn into a legend by the turn of the century. Aptly christened - Made Like a Gun - the phrase epitomize the simple, resilient and dependable machines that have stood the test of time and terrain.

It continues to be one of the key inspirations for everything that Royal Enfield builds.

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Multiple Artists:

  • Apoorv Tyagi

  • Rahul Rai

The design for the packaging was inspired from the vintage design of matchboxes from the 50′s. The packaging brings about a collaboration of all dynasties and how they come together as one unit.

Each illustration of the bike is taken into consideration in regard to the dynasty, the style , the kind of machinery involved. When the first Royal Enfield motorcycle rolled out in 1901, it was the beginning of an endearing story that would turn into a legend by the turn of the century. Aptly christened – Made Like a Gun – the phrase epitomize the simple, resilient and dependable machines that have stood the test of time and terrain. It continues to be one of the key inspirations for everything that Royal Enfield builds.

Please don't hesitate to reach out to us if you have any questions or if you're interested in commissioning a piece.

In the Deep

The deep sea Anglerfish has no reason to be happy but it has no idea what else to be.

Turned bare walls into a space of our own with guiding light and some glow-in-the-dark accents.Applied onto the wall via grid and acrylic paints, placed keeping in mind the light-bulb which was fixed on the wall as we found it.

Size : 10 feet x 7 feet
Style : Wall Mural
Medium : Acrylic on wall

Multiple Artists:

  • Rahul Sharma

  • Sneha Virmani

  • Sonal Singh

Please don't hesitate to reach out to us if you have any questions or if you're interested in commissioning a piece.

Durga (দশভূজা মা দুর্গা)

When the demon legend and a shapeshifter, size-shifter Mahishasura, won many battles in his quest to establish unrest. The boon that saved him, that says "No "man" can kill him" also holds the key to his death. One may call it lack of knowledge or severe arrogance, that he never considered to include a woman in his ask for the boon.

That became the reason for the formation of Devi Durga. The great meet of the gods and goddesses held to combine the divine energies coalesce into the goddess. The combined forces resulted, Dashabhuja Maa Durga (দশভূজা মা দুর্গা). The three principal forms of Durga worshiped are Maha Durga, Chandika and Aparajita. The forms that define women, a holistic existence of a force that is as complete as anything in this entire creation.

Let her decide, let her arise. She is a part of all of us, it is on us to believe in the truth of the reason and not anything else.

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Artist

  • Prasun Mazumdar

Please don't hesitate to reach out to us if you have any questions or if you're interested in commissioning a piece.

Mother Nature | सृष्टि 2

The labyrinth of life and death and all that happens in between. Everything that we do knowingly or becomes part of, directly or indirectly, each moment creates our next moment. The next moment for everything, the next moment for this universe, the entire existence.

We all together create our next moment, our future and hence become a part of a collective consciousness.

Brahma, the embodiment of this idea of a continuous calculation. Calculating each moment with its cause and effect, with its action and reaction, with it's closing an event and opening of a new avenue, with it's life and death, all just happening "in between two moments of life".

This phenomenon takes place, "in between two moments of life". Where it just does not calculate the previous moment but also design the next moment based on the previous. The design that calibrates our future is devised by Maa Shristi, सृष्टि who is gaining her purity of decision making from both the goddess of water & fire as a continuous process.

The balance of being and the balance of to be is Maa Shriti. Shristi performs this devine celebration of life in every moment and the in between two consecutive moments, across timelines throughout a yuga. The break of this chain of action is the end of a yuga. She is doing it under the shadow that is cast by the million heads of Vishnu's Sheshnag. So that it goes on for long, as long as the idea of preserving must go. As long as the idea of preserving "life" must go. The idea of preserving, on which the whole idea of Vishnu is based and the idea on which the idea of life is based.

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Artist

  • Prasun Mazumdar

Please don't hesitate to reach out to us if you have any questions or if you're interested in commissioning a piece.

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